 This new shamanic drum is called many  families.  It is a clear deep gold, so transparent that whatever is near  the drum becomes part of its face--part of its family. This 14" hoop drum was  recently made at a drum workshop here on Cortes Island where two deer hides from  a local hunter and several hoops  made from local spruce were equally prepared  by everyone. It is interesting to me that as all of us worked on both skins  without having preferences or prejudices for what hide would eventually belong  to which drum maker--the two hides became more and more clear, as if not  claiming ownership caused the drum skins to keep releasing what would muffle the  voices that were coming.
This new shamanic drum is called many  families.  It is a clear deep gold, so transparent that whatever is near  the drum becomes part of its face--part of its family. This 14" hoop drum was  recently made at a drum workshop here on Cortes Island where two deer hides from  a local hunter and several hoops  made from local spruce were equally prepared  by everyone. It is interesting to me that as all of us worked on both skins  without having preferences or prejudices for what hide would eventually belong  to which drum maker--the two hides became more and more clear, as if not  claiming ownership caused the drum skins to keep releasing what would muffle the  voices that were coming. Throughout the three days it took us to prepare  the skins to be stretched across the frames we were each careful to keep taking  turns with every task on each skin.  When it was time to cut out the drum heads  we let the hides choose the drums they would become, because of course each drum  pattern fit best in one area of the skin but not in others.  In this way we  never imposed our desires on the process of making the drum, but let the process  reveal each drum's best fit to us.  I feel this is why this shamanic drum has  such a generosity of clarity.  It has only ever had to be itself, and therefore  we can each see ourselves in its face.
Throughout the three days it took us to prepare  the skins to be stretched across the frames we were each careful to keep taking  turns with every task on each skin.  When it was time to cut out the drum heads  we let the hides choose the drums they would become, because of course each drum  pattern fit best in one area of the skin but not in others.  In this way we  never imposed our desires on the process of making the drum, but let the process  reveal each drum's best fit to us.  I feel this is why this shamanic drum has  such a generosity of clarity.  It has only ever had to be itself, and therefore  we can each see ourselves in its face. 
                                                                THIS DRUM HAS BEEN SOLD
See more painted shamanic drums and felted drum beaters on www.journeyoracle.com
 
 








 

